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https://w.atwiki.jp/0x0b/pages/75.html
仕様 SGML(Standard Generalized Markup Language) ISO 8879 1986 JIS X 4151 1992 DSSSL(Document Style Semantics and Specification Language) DTD(Document Type Definition) DSDL(Document Schema Definition Languages) TEX HTML HTML 4.01 Specification HTML 5 XML XML1.0 XML1.1 SAX(Simple API for XML) XML-RPC XML Schema XSL(Extensible Stylesheet Language) XSLT(XSL Transformations) XPath(XML Path Language) XSL-FO(XSL Formatting Objects) XPL(XML Paper Specification) XUL(XML User Interface Language) XML Information Set, XML Infoset XML Schema TREX(Tree Regular Expressions for XML) RELAX(Regular Language description for XML) RELAX NG Namespaces in XML XML Signature XAdES(XML Advanced Electronic Signatures) XML Encryption SOAP Canonical XML XML Inclusions XQuery XPointer(XML Pointer Language) StAX(Streaming API for XML - Java SimpleXML - PHP System.Xml.XmlReader - .NET Framework JAXB(Java Architecture for XML Binding) XLink XML Media Types RFC 3023 Atom RFC4287 RFC5023 (Representational State Transfer) DocBook、RSS、MathML(Mathematical Markup Language)、ebXML、Scalable Vector Graphics (SVG)、 MusicXML VML(VoiceXML) XML Base ISO/IEC 8825-4 2002 Information technology -- ASN.1 encoding rules XML Encoding Rules (XER) ISO/IEC 8825-5 2004 Information technology -- ASN.1 encoding rules Mapping W3C XML schema definitions into ASN.1 ISO/IEC 9075-14 2006 Information technology -- Database languages -- SQL -- Part 14 XML-Related Specifications (SQL/XML) ISO 10303-28 2007 Industrial automation systems and integration -- Product data representation and exchange -- Part 28 Implementation methods XML representations of EXPRESS schemas and data, using XML schemas ISO/IEC 13250-3 2007 Information technology -- Topic Maps -- Part 3 XML syntax ISO/IEC 13522-5 1997 Information technology -- Coding of multimedia and hypermedia information -- Part 5 Support for base-level interactive applications ISO/IEC 13522-8 2001 Information technology -- Coding of multimedia and hypermedia information -- Part 8 XML notation for ISO/IEC 13522-5 ISO/IEC 18056 2007 Information technology -- Telecommunications and information exchange between systems -- XML Protocol for Computer Supported Telecommunications Applications (CSTA) Phase III ISO/IEC 19503 2005 Information technology -- XML Metadata Interchange (XMI) ISO/IEC 19776-1 2005 Information technology -- Computer graphics, image processing and environmental data representation -- Extensible 3D (X3D) encodings -- Part 1 Extensible Markup Language (XML) encoding ISO/IEC 22537 2006 Information technology -- ECMAScript for XML (E4X) specification ISO 22643 2003 Space data and information transfer systems -- Data entity dictionary specification language (DEDSL) -- XML/DTD Syntax ISO/IEC 23001-1 2006 Information technology -- MPEG systems technologies -- Part 1 Binary MPEG format for XML ISO 24531 2007 Intelligent transport systems -- System architecture, taxonomy and terminology -- Using XML in ITS standards, data registries and data dictionaries XHTML XHTML™ 1.0 The Extensible HyperText Markup Language (Second Edition) MHTML RFC2110 (旧) RFC2557 (新) MIMEタイプ Multipurpose Internet Mail Extensions (MIME) Part 1~3 RFC 2045, RFC 2046, RFC 2047 Multipurpose Internet Mail Extensions(MIME) Part Five Conformance Criteria and Examples RFC 2049 MIME Parameter Value and Encoded Word Extensions Character Sets, Languages, and Continuations RFC2231 Media Type Specifications and Registration Procedures RFC 4288 Multipurpose Internet Mail Extensions (MIME) Part Four Registration Procedures RFC 4289(旧RFC 2048) Returning Values from Forms multipart/form-data RFC2388 Internet Message Format RFC 5322 (旧RFC 822、RFC 2822) SMTP RFC5321, RFC2821, RFC821 Communicating Presentation Information in Internet Messages The Content-Disposition Header Field RFC2183 Uniform Resource Identifiers (URI) Generic Syntax RFC3986 (旧) RFC1738 Uniform Resource Locators (URL) RFC1808 Relative Uniform Resource Locators RFC2396 Uniform Resource Identifiers (URI) Generic Syntax IRI(Internationalized Resource Identifier) RFC 3987 XRI(Extensible Resource Identifier) The text/html Media Type RFC2854 仕様 マークアップ言語①視覚マークアップ(暗黙) ②手続きマークアップ(明示) ③意味マークアップ 他の用途での利用 Tex SGML(Standard Generalized Markup Language) HTML(HyperText Markup Language) XML(Extensible Markup Language) XHTML(Extensible HyperText Markup Language) マークアップ言語 コンピュータ言語の一種 GML(Generalized Markup Language)から派生 文章の構造（段落など）、見栄え（フォントサイズなど）に関する指定を文章とともにテキストファイルに記述するための言語 文章に対するそれらの指定をマークアップ (markup) と呼び、マークアップを記述するための文字列をタグ (tag) と呼ぶ テキスト＋マークアップ命令 ①視覚・②手続き・③意味マークアップに分類 ①視覚マークアップ(暗黙) テキスト中の「手掛かり」から文書構造を推論 改行、スペース、行送り、中央ぞろえ等 ②手続きマークアップ(明示) ファイル中の出現順で処理系に解釈 テキストを並べ書式指定の命令（ディレクティブ）を指示 後にはそれらの効果を打ち消す命令 マクロやスタックモデルなどのより高度なシステムならば、この煩わしさは軽減される チューリング完全なプログラミング言語に相当 例：nroff, troff, TeX, Lout ③意味マークアップ 必ずしも特定の見栄えなどの処理上の意味を与えることなく、テキストの断片に印を付けていくもの 例えば、Atomシンディケーション言語には updated タイムスタンプを印すマークアップがあり、情報項目が最後にいつ更新されたのかを発行者が表明するのに使われる。 Atomの規格ではupdatedの意味するものについて論じており、そのマークアップ形式についても規定されているが、それがユーザに対してどのように表示されるのか、またそもそも表示されるべきなのかについては何の規定もない。このマークアップは処理系ごとに様々な用途に使われ、その中にはAtom言語の設計者たちが予想もしなかったものが多く含まれるだろう。SGMLとXMLは意味マークアップ言語の設計を支援するために設計された仕様（メタ言語）である。 以上は概念的な分類であって、実際にはどのシステムでも別種のマークアップが共存している。例えばHTMLでは、純粋な手続きマークアップ（ボールドのためのBなど）と純粋な意味マークアップ（BLOCKQUOTEやHREF属性など）が共存している。HTMLにはさらにPRE要素があり、視覚マークアップの領域を囲んで、テキストをタイプしたとおりに表示させることもできる。 マークアップ要素とその使用に関する規則は通例、特定の企業やコミュニティごとの様々な種類の文書に対応するため、標準化団体によって開発される。最初期の例としてはCALSがあり、アメリカ軍で技術マニュアルに利用されていた。すぐに大規模文書を管理する必要のある企業がこれに続きだし、航空機、電気通信、自動車、コンピュータハードウェアのマニュアル用のタグ群が開発された。これはこの種のマニュアルの多くが電子的に配布されるきっかけとなり、企業は1つの（意味マークアップによる）オリジナルから印刷物、オンライン、CD版などを作り出すことができた。特筆すべき例はサン・マイクロシステムズであり、ジョン・ボサック（en）がSGMLを複数媒体向けの文書配布に採用し、大幅なコスト削減を達成した。 よく知られたマークアップ言語 DocBook、MathML、SVG、Open eBook、TEI、XBRLなど 多くはテキストのためのものだが、その他の用途で使われる専門化された言語もある。 汎用マークアップとは意味マークアップの別名 現在のほとんどの意味マークアップシステムは文書を木構造に構造化する。また同時に、文書の一部分を文書内の他の箇所から参照する（クロス・リファレンス）手段を提供している。構造化によって、ソフトウェアが文書構造を（BLOBではないものとして）把握することができ、文書はデータベースとして扱うことが可能になる。リレーショナル・データベースが持っているような厳格なスキーマを持たないので、「半構造化データベース（semi-structured database）」と呼ばれる。 000年を過ぎたころから、木構造以外の文書構造に関する大きな関心が現れてきた。例えば、古代の宗教文学では文献構造（本、章、節、文）以外にも、修辞構造や散文構造が広く用いられる（ストーリー、引用章句、段落、など）。これらの文書単位は文中でたびたび交差するので、簡単には木構造のマークアップシステムでデータ化することはできない。このような構造をサポートする文書モデリングシステムにはMECS（ウィトゲンシュタインの作品を電子化するために開発された）、TEI Guidelinesの一部、LMNL、CLIX、などがある。 意味マークアップの第一の長所はその自由度だとみなされている。テキストの断片が「どのように表示されるべきか」ではなく「何であるか」と印されていたなら、その言語の設計者が予想もしていなかった便利な用途でその断片を処理する処理系が作られるかもしれない。例を挙げると、HTMLのハイパーリンクは、元々、リンクをたどる人の手で利用されるために設計されたが、WWW検索エンジンによって、インデックスするべき新しいリソースを発見するため、またウェブ上のリソースの人気を測るためにも利用されている。 意味マークアップはまた、必要になったときに文書の見栄えを変更する作業も単純化する。これは文書の見栄えと内容が密接に結びついていないからである。例えばイタリックを強調と外国語であることを示すために使うとする。ここで両方が単にイタリックと（視覚的にまたは手続き的に）マークアップされたなら、2つを選り分けることが困難になる。もし、あとから外国語をイタリックにしないと決め直したら、全てのイタリック部分を見直して、1つずつ選り分けるしか方法がない。しかし始めから、2つの場合が別のタグで（意味的に）マークアップされていたのなら、互いに干渉しあうことなく、見栄えの変更ができるようになる。 他の用途での利用 マークアップ言語のアイデアはテキスト文書に関するものとして生まれたが、ベクターグラフィックス、Webサービス、ウェブシンディケーション、セマンティック・ウェブ、ユーザーインタフェースなどの分野での利用も増えている。これらのほとんどはXMLのアプリケーションである。XMLを使用することで、複数のマークアップ言語を合成することが可能となる。例としては、XHTML+SMIL やXHTML+MathML+SVGがある。 Tex 数学書を業務品質で組むためのテキストやフォントに関する綿密なレイアウト機能を目標としている ユーザーに高いスキルを要求するため、主に学術分野で使われ、理数系の出版物・論文などではデファクトスタンダードとなっている。TeXのマクロパッケージであるLaTeXはTeX上で意味マークアップシステムを構築しており、広く用いられている。 SGML(Standard Generalized Markup Language) マークアップは文書の構造面に専念し、視覚的な表現に関しては処理系に任せるべきだ、という思想 文書にマークアップを含める構文や、どんなタグがどこで使えるのかなどを記述する構文（DTD）を規定 これによって、文書作成者は望むマークアップを、最も意図に近いものや母語で名前が付いているものなど、何でも作成し、利用することができた。それゆえ、SGMLは正しくはメタ言語であり、多くの具体的なマークアップ言語がそれから派生していった。80年代から現在に至るまで、ほとんどの新しいマークアップ言語はSGMLに基づいたものであった。TEIやDocBookなどがその例である。SGMLは1986年にISO 8879として国際標準になった。 非常に大きな規模の文書を扱う現場で広く受け入れられ、利用された。しかしながら、一般的には覚えるのが煩わしくて難しいとみなされている。これは多彩すぎる機能と高すぎる柔軟性を実現した副作用である。複雑な仕様の例として、SGMLでは終了タグ（または開始タグかその両方）が文脈によって省略可能となっているが、これは過労気味のサポートスタッフがマークアップを手動で行うような場合にキーストロークの節約が望まれている、との配慮によるものである。 World Wide Web(W3C)勧告 HTML(HyperText Markup Language) 1991年になると、SGMLが商用のデータベース用途にしか使われない傾向が強くなってきた。一方、（文書をプロプライエタリなバイナリフォーマットで保存する）WYSIWYGツールがその他の文書処理用途では受け入れられていた。 そんな折、SGMLの構文を使ってHTMLは作られた。 HTMLは他のSGMLベースのタグ言語とよく似ているが、よりシンプルなものとして誕生し、当初は形式的なDTDを持っていなかった。 DeRose はHTMLによる意味マークアップ(SGML)の使用が、ウェブに柔軟性と拡張性をもたらし、その成功の有力な要因となったと主張している(その他の要因にはURLの概念やブラウザの無料配布などがある)。現在、HTMLはおそらく世界で最もよく使われているマークアップ言語であろう。 しかしながら、HTMLがマークアップ言語であるという事実については異論を唱える研究者もいる。その異論とは、HTMLはタグの配置を制限しており、タグに他のタグ内に入れ子になることと文書のルートタグになることの両方を要求している、というものである。このため、そのような研究者たちはHTMLは階層型データモデルに従う「コンテナ言語」ではないかと述べている。 HTML4.01 SGMLに Strict、Transitional、FramesetがDTDで定義されている HTML5.0 XML(Extensible Markup Language) 対象をインターネット上の文書に特化することで、SGMLを単純化したサブセットを作ることが目的 XMLはSGMLと同じようにメタ言語である。また、（"extensible"という名のとおり）利用者が必要な要素を追加したり、名前空間を使って複合文書を作ったりして拡張することが容易にできる。 名前空間などを用いないXML文書はSGML文書でもあるため、XMLへの乗り換えはそれほど困難でなく、既存のSGMLの利用者およびソフトウェアは比較的容易にXMLに移行することができた。XMLはSGMLの多くのより複雑な機能を省いており、学習や実装を容易にしている。他の改良点には、多言語環境でのSGMLの問題点を修正したことや、スキーマがない文書でも利用を可能にしたことなどがある。 XMLはそもそも文書や出版物などの半構造データのために設計されたものである。しかしながら、その単純さと柔軟性のバランスの良さから、他の用途でも急速に受け入れられていった。例えば、アプリケーション間でデータをやりとりするために利用されたり、アプリケーションの設定ファイルの構造として利用されたりもしている。 XHTML(Extensible HyperText Markup Language) 2000年の1月から、HTMLについてのすべてのW3C勧告は、SGMLではなくXMLに基づいたものになった。Extensible Hypertext Markup Language を略してXHTMLという。（XはExの発音から。） HTMLとXHTMLとの違いで顕著なものの1つ 「すべてのタグは閉じなければならない」 br のような「空の」HTMLタグは「閉じる」必要がある。XHTML 1.0勧告内のAppendixにあるHTML Compatibility Guidelines[5]では、 br / のように要素名の後に空白文字と斜線を入れて閉じる形を推奨している。 他に開始タグ内の属性値はすべて引用符 で囲わなければならないという点がある。 また、HTMLとは異なり、大文字と小文字は厳密に区別される。
https://w.atwiki.jp/tanken/pages/64.html
TITLE html - 2008年04月25日 (金) 15時07分52秒 TAG置き場 タグが使えないからコピーボックスに head title /title meta http-equiv="Content-Type" content="text/html; charset=shift_jis" / meta name="keywords" content=",," meta name="description" content="" meta name="robots" content="all" meta http-equiv="content-style-type" content="text/css" div style="font-size xx-small" div style="padding 2px;border-style none double double double;border-color #900000;border-width 1px;background-color #900000;color #006000;" div style="padding 2px;border-style none double none double;border-color #900000 #999900;border-width 10px;background-color #808000;width 220;" welcome /div /div div style="padding 2px;border-style double double none double;border-color #3030c0;border-width 1px;background-color #E0FFE0;width 290;" img src="" alt="" / br / /div div align="center" ◆ html? html/object
https://w.atwiki.jp/picolit/pages/18.html
html head STYLE TYPE="text/css" !-- /* .maintabletable tr td { padding 0 0 0 0; margin 0 0 0 0; width 700px; border 1px; } .maintable tr{} .maintable td {border solid 1px #f96;} / .commontable th{background-color #99CC66;} .btn{width 90px} .txt{width 310px} .outLine{border solid 1px #f96;} /STYLE /head body TABLE ALIGN="center" width="700" TR TD HEIGHT="100" /TD /TR TR TD div CLASS="outLine" TABLE class="commontable" border="1" width="100%" cellpadding="5" bgcolor="#DCF4B1" style="font-size 0.9em" tr th COLSPAN="3" AAAA /th /tr TR th key /th TD COLSPAN="2" INPUT TYPE="text" NAME="keyword" SIZE="20" MAXLENGTH="10" /TD /TR TR th key /th TD COLSPAN="2" INPUT TYPE="text" NAME="keyword" SIZE="20" MAXLENGTH="10" /TD /TR TR th WIDTH="20%" key /th td WIDTH="40%" INPUT TYPE="text" NAME="keyword" SIZE="50" /TD TD WIDTH="40%" STYLE="text-align center" INPUT TYPE="BUTTON" NAME="start" TYPE="button" VALUE="開始" CLASS="btn" INPUT TYPE="BUTTON" NAME="start" TYPE="button" VALUE="開始" CLASS="btn" /td /TD /TR /TABLE /TD /TR /div /TABLE /body /html
https://w.atwiki.jp/sally0/pages/16.html
Google has become the latest major electronics manufacturer to announce that it will sell some smartphone repair parts to consumers, meaning many of the largest companies in the world have at least partially reversed course on right to repair. Google says that, like Samsung, it will partner with phone-part to sell repair parts to consumers. “We want you to have a great experience with your Pixel mobile phone repairing parts, and that includes easy access to high-quality and safe device repair if your phone is ever damaged,” Google wrote in a blog post. “That’s why we’re working with phone-part to make it easier for independent repair professionals and skilled consumers with the relevant technical experience to access the genuine Google parts they need to repair Pixel phones.” Google said it will begin selling repair parts for Pixel 2 through Pixel 6 Pro phones, as well as parts for any future Pixel devices. Google’s parts program is slightly more expansive than that of other manufacturers Notably, it will sell original replacement batteries, which can have the effect of significantly extending the life of a smartphone xiaomi replacement parts. It will also sell cameras, replacement displays, “and more,” the blog post says. Google wrote that it is also looking to expand the repair program to other devices it sells, and has pushed manufacturers of Chromebook to sell replacement parts for those devices, too. In recent months, companies like Apple, who spent years saying that letting consumers repair smartphones is a dangerous endeavor that would void your warranty and cause widespread hacking have softened their stances amid a right to repair push that increasingly has momentum from consumers, state lawmakers, and custom phone case, perhaps most crucially, the Joe Biden administration and his Federal Trade Commission. Perhaps fearing strict regulations or a right-to-repair law at the state or federal level, Apple, Samsung, Microsoft, and now Google have all announced that they will begin selling repair parts directly to consumers. Motorola also sells parts to consumers and has for years. The Samsung, Google, and Motorola programs are all run through phone-part. The announcement also shows a willingness to compromise and partner with phone-part, which has sold (largely) third-party repair cheap phone parts on its website for years and has created independent repair guides for thousands of devices. Phone-part has been one of the leading advocates for right-to-repair, pushing for repair laws in states around the country alongside consumer rights groups like US PIRG and repair trade groups like Repair.org. “It’s straightforward for phone-part to help these companies out because we’ve been doing this for years, and we’re the best in the world at it,” Phone-part CEO Kyle Wiens told Motherboard.
https://w.atwiki.jp/emeditor/pages/102.html
HTML整形 選択中のHTMLを整形するマクロです。 PerlScriptで動作します。 （jsee,vbeeなど、ほかの言語への移植歓迎します。） 2006.11.10 対応タグを大幅に増やしました。 #language="PerlScript" my $src = $Window- document- selection- Text; my ($indent) = $src =~ /^([ \t]+) /g; $indent =~ s/\t/ /g; $indent = ( length $indent ) / 2; $src =~ s/\x0D\x0A/\n/g; $src =~ tr/\x0D\x0A/\n\n/; my (@rep); map { $src =~ s/($_)/{push @rep, $1;"replaceEmMacro[$#rep]"}/eigs; } ( q{ SCRIPT.*? \/SCRIPT }, q{ PRE.*? \/PRE }, q{ STYLE.*? \/STYLE }, q{ EMBED.*? \/EMBED }, q{ TEXTAREA.*? \/TEXTAREA }, q{ \!\-\-.*?\-\- }, ); map { $src =~ s/[ \t]*( $_.*? )\s*/$1\n/gsi } ( \!DOCTYPE , HTML , HEAD , META , LINK , BODY , TABLE , TBODY , COL , TR , FORM , SELECT , BR , HR , CENTER , FRAMESET , FRAME , MAP , NOSCRIPT ); map { $src =~ s/[ \t]*( $_.*? )\s*/$1/gsi } ( TH , TD ); map { $src =~ s/[ \t]*( \/$_ )\s*/$1\n/gsi } ( HTML , HEAD , TITLE , BODY , TABLE , TBODY , TR , TH , TD , FORM , SELECT , OPTION , P , h\d , CENTER , DIV , FRAMESET , FRAME , MAP , UL , LI , NOSCRIPT ); map { $src =~ s/[ \t]*( $_.*? )/\n$1/gsi } ( TABLE , P , h\d , DIV , INPUT , FRAMESET , MAP , UL , LI ); $src =~ s/^[ \t]+//gm; $src =~ tr/\n//s; my $output; for my $line ( split( /\n/, $src ) ) { if ( $line =~ / (TABLE|TBODY|TR|FRAMESET|MAP|UL)/i ) { # $output .= " " x $indent; $indent++; } elsif ( $line =~ / \/(TABLE|TBODY|TR|FRAMESET|MAP|UL)/i ) { # $indent--; $output .= " " x $indent; } else { $output .= " " x $indent; } $output .= "$line\n"; } for my $i ( 0 .. $#rep ) { my $j = $#rep - $i; $output =~ s/replaceEmMacro\[$j\]/$rep[$j]/e; } $Window- document- Write($output); 名前 コメント
https://w.atwiki.jp/mynote/pages/77.html
LaTeX2HTML LaTeXで書いたドキュメントをHTML化するスクリプトです LaTeX2HTML LaTeXで書いたドキュメントをHTML化するスクリプトです latex2htmlのインストール方法（Mac） Nikos Drakosが作ってRoss Moore がプロジェクトを進めているらしいLaTeX2HTML、Perlで書かれているので多くの環境で動くはず、日本語パッチを当てればすごく便利。 http //saftsack.fs.uni-bayreuth.de/~latex2ht http //en.wikipedia.org/wiki/LaTeX2HTML http //takeno.iee.niit.ac.jp/~shige/TeX/latex2html/ltx2html.html Copyright © 1993, 1994, 1995, 1996, Nikos Drakos, Computer Based Learning Unit, University of Leeds. Copyright © 1997, 1998, 1999, Ross Moore, Mathematics Department, Macquarie University, Sydney. latex2htmlのインストール方法（Mac） 端末（ターミナル）でMacport sudo port search latex2html latex2html @2008 (print) Convert LaTeX into HTML. sudo port install latex2html これでインストール出来なければセルフビルド（ソースコードを持ってきて自分でインストールしなければならない） セルフビルド（ログは下記においておきます） http //www20.atwiki.jp/mynote/pages/78.html ./configure make sudo make install
https://w.atwiki.jp/stones/pages/339.html
CDR 001 - DEMO RECORDING SESSIONS 1962 (16 49) 1 Little Queenie (demo) 2 Beautiful Delilah (demo) 3 Down The Road Apiece (demo) 4 I Aint Got You (demo) 5 Don t Want No Woman (demo) 6 Around Around (demo) 7 Little Queenie/Beautiful Delilah/La Bamba/Wee Baby Blues (On Your Way To School)/Around Around (demo) 8 You Can t Judge A Book By Looking At The Cover (part) (demo) ■Bill Wyman s Black Box (VGP-329) includes tracks 1-4 mono ■Down The Road Apiece (Bad Wizard BW 6167) includes tracks 5-6 mono ■Reelin Rockin (VGP-274) includes track 7 mono ■Around Around (Invasion Unlimited IU9531-1) includes track 8 mono Note; Dartford, Kent, late 1961 or early 1962 (tracks 1-7), Curly Clayton Sound Studio, London, 10.27.1962 (track 8) CDR 002 - FIRST RECORDING SESSIONS 1963 (50 36) 1 Road Runner (demo) 2 Diddley Daddy (demo) 3 I Want To Be Loved (demo) 4 Baby What s Wrong (demo) 5 Bright Lights, Big City (demo) 6 Come On (7"single) 7 I Want To Be Loved (7"single) 8 Fortune Teller (saturday club) 9 Poison Ivy (long take) (saturday club) 10 Bye Bye Johnny (EP the rolling stones) 11 You Better Move On (EP the rolling stones) 12 I Wanna Be Your Man (7"single) 13 Stoned (7"single) 14 Come On (BBC) 15 Memphis, Tennessee (BBC) 16 Roll Over Beethoven (BBC) 17 Money (EP the rolling stones) 18 Poison Ivy (short take) (EP the rolling stones) 19 Go Home, Girl (outtake) 20 That s Girl Belongs To Yesterday (outtake) 21 Leave Me Alone (outtake) 22 It Should Be You (outtake) ■IBC Demos 1963 (The Swingin Pig TSP-CDS-001) includes tracks 1-5 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 6-7,12-13 mono ■MORE HOT ROCKS (abkco 96262) includes tracks 8-10,17-18 mono ■DECEMBER S CHILDREN (abkco 94512) includes track 11 mono ■Get Satisfaction...If You Want ! (The Swingin Pig TSP-CD-003) includes tracks 14-16 mono ■Time Trip Vol. 5 (Scorpio TT5) includes track 19-22 mono Note; IBC Studios, London, 3.11.1963 (tracks 1-5), Olympic Sound Studios, London, 5.10.1963 (tracks 6-7), Decca Studios, London, 7.9.1963 (track 8), 7.16.1963 (track 9), 8.8.1963 (tracks 10-11), Saturday Club, BBC Radio, London, 10.26.1963 (tracks 14-16), De Lane Lea Music Recording Studios, London, 10.7.1963 (tracks 12-13) 11.14.1963 (tracks 17-19), Regent Sound Studios, London, 11.20-21.1963 (tracks 20-22) CDR 003 - THE ROLLING STONES SESSIONS 1964 (40 37) 1 Not Fade Away (outtake) 2 I m A King Bee (backing track) 3 Not Fade Away (7"single) 4 Little By Little (7"single) 5 Mr. Spector Mr. Pitney Come Too (outtake) 6 Andrew s Blues (outtake) 7 Wake Up In The Morning (jingle for kellog s rise krispies) 8 Tell Me (You re Coming Back) (outtake) 9 Tell Me (You re Coming Back) (UK LP full length version) 10 Good Times, Bad Times (7"single) 11 As Time Goes By (outtake) 12 Route 66 (BBC) 13 Cops Robbers (BBC) 14 You Better Move On (BBC) 15 Mona (I Need You Baby) (BBC) 16 Don t Lie To Me (outtake) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1,11 mono ■Record Mirror Volume 1 / 1962-1968 (Bedrock Records) includes track 2 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3-4,10 mono ■Necrophilia (VGP-317) includes tracks 5-6 mono ■The Rolling Stones No.2 (bootleg) includes track 7 mono ■Bright Lights Big City (VGP-307) includes track 8 mono ■THE ROLLING STONES (London P25L 25031) includes track 9 mono ■Comden Thatre 1964 (The Swingin Pig TSP-CDS-004) includes tracks 12-15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Regent Sound Studios, London, 1.10.1964 (tracks 1-2), 1.28-29.1964 (tracks 3),2.4.1964 (Tracks 4-6), 2.24-25.1964 (tracks 8-10), 5.12.1964 (track 16), Pye Studios, London, 2.6.1964 (track 7), De Lane Lea Music Recording Studios, London, 3.11.1964 (track 11), Blues in Rhythm, BBC Radio, London, 3.19.1964 (tracks 12-15) CDR 004 - CHESS RECORDING SESSIONS 1964 (41 56) 1 It s All Over Now (stereo version) 2 I Can t Be Satisfied (stereo version) 3 Stewed Keefed (outtake) 4 Confenssin The Blues (stereo version) 5 Around Around (stereo version) 6 Look What You ve Down (stereo version) 7 Down The Road Apiece (stereo version) 8 If You Need Me (stereo version) 9 Hi-Heel Sneakers (outtake) 10 Meet Me In The Bottom (outtake) 11 Empty Heart (stereo version) 12 Tell Me Baby, How Many More Time (outtake) 13 2120 South Michigan Avenue (full length stereo version) 14 Reelin Rockin (outtake) ■12X5 (abkco 94022) includes tracks 1, 4, 5, 8,11,13 stereo ■MORE HOT ROCKS (abkco 96262) includes track 2 stereo ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 3, 9-10,12 stereo ■DECEMBER S CHILDREN (abkco 94512) includes track 6 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 7 stereo ■Reelin Rockin (VGP-274) includes track 14 mono Note; Chess Studios, Chicago, Illinois, 6.10.1964 (tracks 1-3), 6.11.1964 (tracks 4-14) CDR 005 - RECORDING SESSIONS FOR ANDREW OLDHAM 1964 (44 54) 1 Some Things Just Stick In Your Mind (basic track) 2 Some Things Just Stick In Your Mind (additional pedal steel guitar) 3 Try A Little Harder (basic track) 4 Try A Little Harder (additional brass backing vocals) 5 Heart Of Stone (basic track) 6 Heart Of Stone (additional pedal steel guitar) 7 Blue Turns To Grey (basic track) 8 Blue Turns To Grey (additional female backing vocals) 9 Earch Every Day Of The Year (basic track) 10 Earch Every Day Of The Year (additional female backing vocals, brass strings) 11 (Walkin Thru The) Sleepy City (basic track) 12 (Walkin Thru The) Sleepy City 13 We re Wastin Time (basic track) 14 We re Wastin Time (additional pedal steel guitar fiddle) 15 I d Much Rather Be With The Boys (basic track) 16 I d Much Rather Be With The Boys (additional backing vocals pedal steel guitar) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1, 3, 7,11,13 mono ■METAMORPHOSIS (abkko 90062) includes tracks 2, 4, 6,10,12,14,16 stereo ■The Allen Klein Collection / Kleins Revenge (Midnight Beat MBCD 128) includes tracks 5, 9,15 mono ■Necrophilia (VGP-317) includes track 8 stereo Note; Regent Sound Studios, London, 2.13.1964 (tracks 1, 3), 6.29-7.7.1964 (tracks 2, 4), 7.21-23.1964 (tracks 5-6), 8.31-9.4.1964 (tracks 7-14), Decca Studios, London, 2.1965 (tracks 15-16) CDR 006 - THE ROLLING STONES NO.2 SESSIONS 1964 (34 42) 1 Little Red Rooster (7"single) 2 Off The Hook (7"single) 3 Susie Q (with count version) 4 Surprise, Surprise (fourteen) 5 We Were Falling In Love (Waving Hair) (outtake) 6 Everybody Needs Somebody To Love (long take-stereo version) 7 Heart Of Stone (stereo long version) 8 Time Is On My Side (guitar intro take-stereo version) 9 What A Shame (stereo version) 10 Mercy, Mercy (outtake) 11 Good Bye Girl (outtake) 12 Key To The Highway (outtake) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 3,10-12 mono, track 7 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 4 mono, track 9 stereo ■Bill Wyman s Black Box (VGP-329) includes track 5 mono ■Bright Lights Big City (VGP-307) includes track 6 stereo ■HOT ROCKS 1964-1971 (abkco 96672) includes track 8 stereo Note; Regent Sound Studios, London, 9.2.1964 (tracks 1-2), 9.28-29.1964 (tracks 3-5), RCA Studios, Los Angeles, California, 11.2.1964 (tracks 6-7), Chess Studios, Chicago, Illinois, 11.8.1964 (tracks 8-12) CDR 007 - OUT OF OUR HEADS SESSIONS 1965 (42 01) 1 The Last Time (stereo version) 2 Play With Fire (stereo version) 3 The Under Assistant Westcoast Promotion Man (full length version) 4 (I Cant Get No) Satisfaction (backing track) 5 The Spider The Fly (backing track) 6 (I Cant Get No) Satisfaction (stereo version 1) 7 (I Cant Get No) Satisfaction (stereo version 2 acoustic guitar only) 8 The Spider The Fly (7"single) 9 Good Times (additional female backing vocals) 10 I ve Been Loving You Too Long (studio take) 11 Get Off Of My Cloud (stereo version) 12 The Singer Not The Song (stereo version) 13 Looking Tired (outtake) 14 As Tears Go By (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes track 1 stereo ■HOT ROCKS 1 (London 820141) includes tracks 2, 6,11 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 3 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 4 mono, track 13 stereo ■Ultra Rare Trax Vol. 9 (The Genuine Pig TGP-CD-132) includes track 5 mono ■HOT ROCKS 1964-1971 (abkco 96672) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 8,14 mono ■Necrophilia (VGP-317) includes track 9 stereo ■MORE HOT ROCKS (abkco 96262) includes track 10 stereo ■Bright Lights Big City (VGP-307) includes track 12 stereo Note; RCA Studios, Los Angeles, California, 1.17-18, 2.17.1965 (track 1), 1.17-18.1965 (track 2),5.11-12.1965 (tracks 4-10), 9.5.1965 (tracks 11-12), 9.6.1965 (track 13), Chess Studios, Chicago, Illinois, 5.10.1965 (track 3), IBC Studios, London, 10.26.1965 (track 14) CDR 008 - AFTERMATH SESSIONS 1966 (57 48) 1 19th Nervous Breakdown (outtake) 2 19th Nervous Breakdown (stereo version) 3 Sad Day (US 7"single) 4 Mother Little Helper (backing track) 5 Paint It, Black (edited backing track) 6 Paint It, Black (stereo version-different mix) 7 Paint It, Black (full length version) 8 Long Long While (7"single) 9 Lady Jane (backing track) 10 Out Of Time (backing track) 11 If You Let Me (outtake) 12 Con Le Mie Lacrime (without harpsichord version) 13 Con Le Mie Lacrime (Italia 7"single) 14 Out Of Time (outtake) 15 Have You Seen Your Mother, Baby, Standing In The Shadow ? (backing track) 16 Have You Seen Your Mother, Baby, Standing In The Shadow ? (outtake) 17 Have You Seen Your Mother, Baby, Standing In The Shadow ? (stereo version) 18 Who s Driving Your Plane (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 1-2, 6 stereo, tracks 5, 9,12,15,17 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3, 7-8,18 mono ■Time Trip disc 3 (DAC-063) includes track 4 mono ■Masons Yard To Primrose Hill (VGP-112) includes track 10 mono ■METAMORPHOSIS (abkko 90062) includes tracks 11,14 stereo ■The Black Box Bonus CD (Yellow Dog YD 2000) includes track 13 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 16 mono Note; RCA Studios, Los Angeles, California, 12.3-8.1965 (tracks 1-4), 3.6-9.1966 (tracks 5-11), 8.3-11.1966 (track 18), IBC Studios, London, 3.15.1966 (tracks 12-13), 8,31-9.2.1966 (tracks 15-17), Pye Studios, London, 4.27-30.1966 (track 14) CDR 009 - BETWEEN THE BUTTONS SESSIONS 1966 (52 42) 1 Yesterday s Papers (outtake) 2 Yesterday s Papers (baking track) 3 My Obsession (baking track) 4 All Sold Out (baking track) 5 Please Go Home (baking track) 6 Complicated (baking track) 7 Let s Spend The Night Together (baking track) 8 Get Yourself Together (Can t Believe / I Can See It) (outtake take 1) 9 Let s Spend The Night Together (baking track with chorus) 10 Ruby Tuesday (baking track) 11 Let s Spend The Night Together (stereo version) 12 Ruby Tuesday (stereo version) 13 Dandelion (outtake) 14 Get Yourself Together (Can t Believe / I Can See It) (ourtake 2-backing track) 15 Get Yourself Together (Can t Believe / I Can See It) (outtake 2) 16 Trouble In Mind (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1,13 mono, track 8 stereo ■The Black Box CD-2 (Yellow Dog YD 047) includes tracks 2-6,14 stereo, tracks 7,10 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 9 mono ■THROUGH THE PAST, DARKLY (abkco 90032) includes tracks 11-12 stereo ■Accidents Will Happen (VGP-370) includes track 15 mono ■Hot Stuff Volume Two (Great Dane Records GDR 9417/ABCD) includes track 16 mono Note; RCA Studios, Los Angeles, California, 8.3-11.1966 (tracks 1-8), Olympic Sound Studios, London, 11.8-26.1966 (tracks 9-16) CDR 010 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 1 (19 33) 1 We Love You (7"single) 2 Dandelion (7"single) 3 We Love You (stereo version) 4 Dandelion (stereo version) 5 We Love You (rehearsal) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■MORE HOT ROCKS (abkco 96262) includes track 3 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 4 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo Note; Olympic Sound Studios, London, 6.12-13 21.1967 (tracks 2, 4-5), 7.2-22.1967 (tracks 1, 3) CDR 011 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 2 (57 49) 1 2000 Light Years From Home (rehearsal) 2 2000 Light Years From Home (take 1) 3 2000 Light Years From Home (takes 2-4) 4 2000 Light Years From Home (takes 5-6) 5 2000 Light Years From Home (takes 7-10) 6 2000 Light Years From Home (take 11) 7 2000 Light Years From Home (takes 12-13) 8 2000 Light Years From Home (takes 14-15) 9 2000 Light Years From Home (retakes 3-4) 10 5 Part Jam Part 1 (takes 1-2) 11 5 Part Jam Part 1 (takes 3-5) 12 5 Part Jam Part 5 (takes 1-3) 13 5 Part Jam Part 4 (takes 1-10) 14 5 Part Jam Part 4 (takes 11-15) 15 5 Part Jam Part 3 (takes 1-5) 16 5 Part Jam Part 2 (takes 1-5) ■Satanic Sessions Volume One disc 1 (Midnight Beat MB CD 120) includes tracks 1-16 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-16) CDR 012 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 3 (60 32) 1 We Love You (takes 15-16) 2 We Love You (takes 17-19) 3 She s A Rainbow (takes 1-2) 4 She s A Rainbow (takes 3-7) 5 Citadel (takes 20-24) 6 Citadel (takes 25-31) 7 Citadel (takes 32-33) 8 Citadel (take 34) 9 Citadel (take with piano overdub) 10 In Another Land (takes 1-3) 11 In Another Land (takes 4-8) 12 In Another Land (take 9) 13 Child Of The Moon (take 10) ■Satanic Sessions Volume One disc 2 (Midnight Beat MB CD 121) includes tracks 1-13 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-13) CDR 013 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 4 (60 23) 1 Child Of The Moon (takes 11-12) 2 Sing This All Together (take 7) 3 Sing This All Together (intro) 4 The Lantern (take 1) 5 The Lantern (takes 2-3) 6 The Lantern (takes 4-5) 7 The Lantern (take 10) 8 The Lantern (take 11) 9 The Lantern (take 14) 10 The Lantern (take 15-17) 11 The Lantern (retakes 1-3) 12 On With The Show (takes 1-3) 13 On With The Show (takes 4-6) 14 On With The Show (takes 7-10) ■Satanic Sessions Volume One disc 3 (Midnight Beat MB CD 122) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 014 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 5 (58 09) 1 On With The Show (take 11) 2 On With The Show (takes 12+14) 3 In Another Land (chorus part, takes 1-2) 4 In Another Land (chorus part, takes 3-4) 5 In Another Land (chorus part, takes 5-14) 6 Majesties Honky Tonk (takes 1-2) 7 Majesties Honky Tonk (take 3) 8 Majesties Honky Tonk (takes 4-9) 9 Majesties Honky Tonk (takes 10) 10 Majesties Honky Tonk (takes 11-12) 11 Majesties Honky Tonk (takes 15-17) 12 Jam One (takes 1-7) 13 Jam One (takes 8-9) 14 Jam One (takes 10-15) 15 Title 15 (takes 1-3) 16 Title 15 (take 4) 17 Title 15 (takes 5) ■Satanic Sessions Volume One disc 4 (Midnight Beat MB CD 123) includes tracks 1-17 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-17) CDR 015 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 6 (49 16) 1 Title 15 (takes 6) 2 Title 15 (takes 7) 3 Gomper (take 1) 4 Gomper (take 2) 5 Gomper (take 3) 6 Gomper (take 4) 7 Gomper (take 5) 8 Gomper (part 1, take 1) 9 Gomper (part 1, take 2) 10 Soul Blues (take 1) 11 Soul Blues (take 2) 12 Soul Blues (take 3) 13 2000 Man (takes 1-2) 14 2000 Man (take 3) 15 2000 Man (takes 4-5) ■Satanic Sessions Volume Two disc 1 (Midnight Beat MB CD 124) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 016 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 7 (47 45) 1 2000 Man (take 6) 2 2000 Man (takes 7-8) 3 2000 Man (takes 9-11) 4 2000 Man (takes 13-15) 5 2000 Man (end part, takes 1-3) 6 2000 Man (intro, takes 1-2) 7 2000 Man (intro, takes 3-14) 8 Guitar/Organ Jam (similar to She Smiled Sweetly) 9 Blues 3 (takes 27-31) 10 Blues 3 (takes 32-39) 11 Blues 3 (takes 40-44) 12 Blues 3 (retakes 1-2) 13 Blues 3 (retake 3) 14 Blues 3 (retakes 4-5) ■Satanic Sessions Volume Two disc 2 (Midnight Beat MB CD 125) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 017 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 8 (47 24) 1 Gold Painted Fingernails (take 1) 2 Gold Painted Fingernails (take 2) 3 Gold Painted Fingernails (takes 3-4) 4 Gold Painted Fingernails (takes 5-9) 5 Gold Painted Fingernails (takes 10-11) 6 Gold Painted Fingernails (take 12) 7 Gold Painted Fingernails (takes 13-16) 8 Gold Painted Fingernails (take 17) 9 Gold Painted Fingernails (takes 18-22) 10 Gold Painted Fingernails (take 23) 11 2000 Man (middle part, takes 2-3) 12 2000 Man (middle part, takes 4-6) 13 2000 Man (middle part, takes 7-10) 14 2000 Man (middle part, takes 11-12) 15 2000 Man (middle part, take 13) ■Satanic Sessions Volume Two disc 3 (Midnight Beat MB CD 126) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 018 - BEGGARS BANQUET SESSIONS 1968 DISC 1 (43 35) 1 Rock Me Baby (rehearsal) 2 Stray Cat Blues (rehearsal) 3 Untitled (rehearsal) 4 Hold On, I m Comin (rehearsal) 5 Jumpin Jack Flash (rehearsal) 6 Untitled (rehearsal) 7 Some Satisfaction (rehearsal) 8 Rock Me Baby (rehearsal) 9 I ll Coming Home (rehearsal) 10 Untitled (rehearsal) 11 Conversations ■Surrey Rehearsals 1968 (VGP-108) includes tracks 1-11 mono Note; R.G. Jones Studios, Morden, Surrey, 2.21.1968 (tracks 1-11) CDR 019 - BEGGARS BANQUET SESSIONS 1968 DISC 2 (53 41) 1 Jig-Saw Puzzle (take 1) 2 Jig-Saw Puzzle (take 2) 3 Jig-Saw Puzzle (takes 3-5) 4 Jig-Saw Puzzle (take 6) 5 Jig-Saw Puzzle (takes 7-8) 6 Jig-Saw Puzzle (take 9) 7 Jig-Saw Puzzle (take 10) 8 Jig-Saw Puzzle (take 11) 9 Jig-Saw Puzzle (take 12) 10 Jig-Saw Puzzle (take 13) 11 Jig-Saw Puzzle (take 14) ■Satanic Sessions Volume Two disc 4 (Midnight Beat MB CD 127) includes tracks 1-11 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 1-11) CDR 020 - BEGGARS BANQUET SESSIONS 1968 DISC 3 (70 36) 1 Jumpin Jack Flash (backing track) 2 Child Of The Moon (backing track) 3 Jumpin Jack Flash (stereo version) 4 Child Of The Moon (stereo version) 5 Parachute Woman (early mix) 6 Stray Cat Blues (outtake) 7 Did Everybody Pay This Dues ? (outtake) 8 Street Fighting Man (US 7"single-mono different vocals version) 9 No Expectations (outtake) 10 Dear Doctor (outtake) 11 Dear Doctor (early mix) 12 Prodigal Son (stereo version) 13 Factory Girl (outtake) 14 Sister Morphine (outtake) 15 Hamburger To Go (Stuck Out All Alone) (outtake) 16 Blood Red Wine (outtake) 17 Family (outtake-electric version) 18 Still A Fool (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1-2 mono, tracks 9-10,14 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 4 stereo ■R.S.V.P. (Cool Blokes Production) includes tracks 5-6,11-13 stereo ■Necrophilia (VGP-317) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 8 mono ■The Trident Mixes (DAC-052) includes tracks 15-18 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 2, 4-7), 4.20.1968 (tracks 1, 3), 5.13-23.1968 (tracks 8-18) Note; track 11 (R.S.V.P. track 17) CDR 021 - BEGGARS BANQUET SESSIONS 1968 DISC 4 (62 22) 1 Sympathy For The Devil (early takes part 1 from one plus one ) 2 Sympathy For The Devil (early takes part 2 from one plus one ) 3 Sympathy For The Devil (early takes part 3 from one plus one ) 4 Sympathy For The Devil (early takes part 4 from one plus one ) 5 Sympathy For The Devil (early takes part 5 from one plus one ) 6 Sympathy For The Devil (early takes part 6 from one plus one ) 7 Sympathy For The Devil (early takes part 7 from one plus one ) 8 Sympathy For The Devil (early takes part 8 from one plus one ) 9 Sympathy For The Devil (early takes part 9 from one plus one ) 10 Sympathy For The Devil (early takes part 10 from one plus one ) 11 Sympathy For The Devil (edited 3rd strophe) 12 Sympathy For The Devil (beggars banquet) 13 Jam (London Jam) (part 1 from one plus one ) 14 Jam (London Jam) (part 2 from one plus one ) 15 Family (acoustic version) 16 Family (with additional bass guitar percussions) ■Political Cartoons (JJ Records) includes tracks 1-10,13-14 mono ■R.S.V.P. (Cool Blokes Production) includes track 11 stereo ■BEGGARS BANQUET (London 800 084-2) includes track 12 stereo ■The Trident Mixes (DAC-052) includes track 15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Olympic Sound Studios, London, 6.4-10.1968 (tracks 1-14), 6.28.1968 (tracks 15-16) CDR 022 - LET IT BLEED SESSIONS 1969 DISC 1 (42 17) 1 Honky Tonk Women (outtake) 2 You Can t Always Get What You Want (edited stereo version) 3 Gimme Shelter (outtake) 4 Gimme Shelter (different vocals version 1) 5 Gimme Shelter (different vocals version 2) 6 You Got The Silver (Mick Jagger on lead vocals version) 7 Sister Morphine (different mix) 8 I Was Just A Country Boy (outtake) 9 Downtown Suzie (Lily Street Lucie) (basic track) 10 Downtown Suzie (Lily Street Lucie) (remixed version) ■The Black Box CD-3 (Yellow Dog YD 048) includes tracks 1, 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 2 stereo ■Time Trip disc 1 (DAC-063) includes tracks 4, 6 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 7 stereo ■The Trident Mixes (DAC-052) includes tracks 8-9 stereo ■METAMORPHOSIS (abkko 90062) includes track 10 stereo Note; Olympic Sound Studios, London, 2.10-3.31.1969 (tracks 1-8), 4.23.1969 (tracks 9-10) CDR 023 - LET IT BLEED SESSIONS 1969 DISC 2 (46 54) 1 Honky Tonk Women (basic track) 2 Honky Tonk Women (stereo version) 3 Country Honk (basic track) 4 Loving Cup (outtake) 5 Jiving Sister Fanny (take 1) 6 Jiving Sister Fanny (take 2) 7 I Don t Know Why (basic track) 8 I Don t Know Why (remixed version) 9 All Down The Line (outtake-acoustic version) 10 I m Going Down (basic track) 11 Hillside Blues (I Don t Know The Reason Why) (outtake) ■Olympic Years 1967-69 (Dandelion 94003) includes track 1 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 2 stereo ■The Black Box CD-3 (Yellow Dog YD 048) includes track 3 mono, track 9 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 4 stereo ■The Trident Mixes (DAC-052) includes tracks 5, 7, 10 stereo ■METAMORPHOSIS (abkko 90062) includes tracks 6, 8 stereo ■Hillside Blues (VGP-214) includes track 11 stereo Note; Olympic Sound Studios, London, 4.17-7.2.1969 (tracks 1-8), Sunset Sound Studios Elektra Studios, Los Angeles, California, 10.17-11.2.1969 (tracks 9-11) NEXT
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【Tags Gumi PIROPARU R tA tT】 Original Music title ラッパ吹きの少年 English music title The Trumpet-Playing Boy Romaji music title Rappa-Fuki no Shounen Music Lyrics written, Voice edited by PIROPARU Music arranged by PIROPARU Singer(s) Gumi (Megpoid) Power Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： It s something my mother used to tell me before I went to bed, The tale of a mysterious flute-playing man He would take all the town s children along with him, And their band would retreat into dreams Could I do that, too? Would you hear me if I did? Once I found my "partner," I said good night... Playing the trumpet for our great parade, All on my own, I m swallowed up by the melody The trumpet blares on in our great parade, So dance with me, up on the hill! Come! I wake up in the morning, brush my teeth, and eat breakfast, But triplets still echo in my head It s something I told my mother before I went to bed, The tale of the mysterious trumpet-playing man Could do it again tonight? Could I dance with you? Holding hands with my "partner," I say good night... Playing the trumpet for our great parade, I ll stand out in front, so everyone come along with me The trumpet blares on in our great parade, So sing with me, up on the hill! La la la... It s something my mother used to tell me before I went to bed, The tale of a mysterious flute-playing man He would take all the town s children along with him, And their band would retreat into dreams See, even I could do it, And even you heard me With my "partner" in my dreams, I say good night... I never want to go back! Playing the trumpet for our great parade, All on our own, we re swallowed up by the melody The trumpet blares on in our great parade, So dance with me, come up the hill! Let us sing a neverending song! Come! Let us sing! Playing the trumpet for our great parade... And I ll always be... in a dream... Romaji lyrics (transliterated by vgboy / vgperson)： Okaa-san ga neru mae ni oshiete kureta koto Fushigi na fue-fuki otoko no hanashi Machi no kodomo-tachi minna hikitsurete Gakudan wa yume no naka ni shizundaitta Boku ni mo dekiru kana Kimi ni kikoeru kana "Aibou" o mitsuketara Oyasuminasai Rappa o fukinarashite daikoushin Hitori-bocchi no boku o nomikondeiku merodii Pappaka fukinarashite daikoushin Boku to odorou yo ano oka no ue de saa Asa okite ha o migaite gohan o tabeteite mo Atama no naka de hibiku sanrenpu Okaa-san ni neru mae ni oshiete ageta koto Fushigi na rappa-fuki otoko no hanashi Konya mo nareru kana Kimi to odoreru kana "Aibou" to te o tsunaide Oyasuminasai Rappa o fukinarashite daikoushin Boku ga sentou ni tatte yaru saa minna tsuite koi Pappaka fukinarashite daikoushin Boku to utaou yo ano oka no ue de Rarara Okaa-san ga neru mae ni oshiete kureta koto Fushigi na fue-fuki otoko no hanashi Machi no kodomo-tachi minna hikitsurete Gakudan wa yume no naka ni shizundaitta Boku demo dekita yo ne Kimi mo kikoeta yo ne "Aibou" to yume no naka Oyasuminasai Mou kaeritakunai! Rappa o fukinarashite daikoushin Hitori-bocchi o minna nomikondeiku merodii Pappaka fukinarashite daikoushin Boku to odorou yo ano oka ni nobotte Utaou yo owaranai uta o saa Utaou Rappa o fukinarashite daikoushin Boku wa itsumademo (yume no naka)
https://w.atwiki.jp/draemonash/pages/21.html
ここを編集 設定方法 設定については、下記参照 http //www.eonet.ne.jp/~gakana/xf.html インストールアドイン FFXII.exe http //www.eonet.ne.jp/~gakana/download/ffxii.html ToDo プレビュー表示 Tips 複数ファイルフィルタ *aaa.txt*;*bbb.txt*;*ccc.txt* ショートカットキー キー 説明 \ ルートに移動 / すべての選択を解除 * すべての選択を反転 @ アドレスバーに移動 アドレスバーに移動 , インクリメンタル サーチ . 拡張子のインクリメンタル サーチ - フォルダの表示設定を保存 = ウインドウサイズを揃える ? 他のウインドウとの入れ替え + ポップアップメニュー1 ; ポップアップメニュー2 ドライブリスト 分割の切り替え 分割画面の切り替え Space フォーカスしたアイテムの選択を反転して次のアイテムにフォーカスを移動 BackSpace 一つ上の階層に移動 → 右に移動 ← 左に移動 ↑ 上に移動 ↓ 下に移動 Alt + ← 戻る Alt + ↑ 他のウインドウのパス一覧 Alt + ↓ タブの履歴 Ctrl + ← 左のタブに移動 Shift + Ctrl + Tab 左のタブに移動 Ctrl + → 右のタブに移動 Ctrl + Tab 右のタブに移動 Ctrl + ↑ タブ メニュー Ctrl + ↓ タブの一覧 Shift + Ctrl + ← タブを左に移動 Shift + Ctrl + → タブを右に移動 Shift + Alt + ← タブを左に移動 Shift + Alt + → タブを右に移動 Shift + Ctrl + ↑ ツールフォルダの場合は項目を上に移動 Shift + Ctrl + ↓ ツールフォルダの場合は項目を上に移動 Shift + Ctrl + Space ナビゲートロックの切り替え Shift + Esc 別ウインドウを開く Ins パスの抽出 Shift + Ctrl + Ins 最近閉じたタブの一覧 shell 名前 説明 パス shell DesktopFolder デスクトップ shell DriveFolder PC shell ControlPanelFolder コントロールパネル shell RecycleBinFolder ゴミ箱 shell SendTo 送るフォルダ %USERPROFILE%\AppData\Roaming\Microsoft\Windows\SendTo shell StartUp スタートアップ %USERPROFILE%\AppData\Roaming\Microsoft\Windows\Start Menu\Programs\StartUp shell Personal ここを編集
https://w.atwiki.jp/ondating/pages/11.html
Online dating websites provide single men and women the opportunity to meet others in their area for casual dating. For lesbian singles, it can be easy to start a casual relationship online. All you need is to create an account on an online dating website and start browsing profiles of other members. How dating sites help lesbians to find a casual date Dating apps are often considered to be just for finding a partner for a serious relationship, but in reality, they can be used to find a casual date. Some dating apps advertise themselves as being the perfect choice when it comes to meeting someone for a one-night stand or casual relationship. Matchmaking services are not the only type of dating website that girls use when they want to quickly find someone with whom they can have some fun. There are also websites for meeting people who are looking for different things. For example, women who are looking for something short-term or long-term, or something that is more permanent. Dating platforms are a great way to meet people. Some of these services are exclusively for singles looking for their future spouse, while others are exclusively for finding a casual date. The latter kind of apps have largely contributed to the theory that dating is easier. With their intuitive design and straightforward interface, you don’t have to worry about what to say or how to behave on yourfirst date. The only thing you need is to start a ‘magic’ matchmaking process. Why do many people stick to casual relationships? Casual dating online for singles is almost a new norm in modern society. It s an alternative to traditional dating that is not only less time-consuming but also more convenient. There are several advantages to this new way of meeting people, but there are also cons to it. Casual dating is becoming more common than ever, mainly because of the rise of online dating services. People who are single and looking for love use these platforms to meet someone new. These online dating sites are now generally regarded as ‘more fun’ than traditional dating methods, but there are some cons to using online dating as well. Online dating is an excellent way to make connections between people who would otherwise never come into contact with each other. It provides an opportunity for people all over the world to find their perfect match without having to make a lengthy commute. The most popular forms of online dating include matchmaking websites, as well as local singles groups that use social media platforms like Facebook or even Craigslist. Advantages and disadvantages Dating can be very exciting during the first stages. However, it can also be very frustrating and disappointing. Let’s have a look at some pros and cons of casual dating online for single lesbians. The Pros - More freedom to express yourself freely without any fear of rejection or disapproval. You are able to get to know people even if you are shy or not confident enough in your own skills. - More chances of meeting someone who has the same interests as you do. - You are less likely to feel pressured into something or get trapped in a relationship that doesn t work for you because casual dating is more about having fun and meeting new people than finding a serious partner for life. The Cons - There is always the risk of getting hurt emotionally when someone rejects you or if you discover that they don t share your interests after having invested time into the new connection. - It does not provide the stability that some people might be looking for when they are in search of love or when they want to settle down with someone.